To compliment my last blogaroo, here is a video I found on YouTube of Battles.
This is "Tonto", one of my favorite songs off of their most recent album, Mirrored.
Check this shit. It's toight.
Tuesday, October 23, 2007
just call me persephone
Moby Dick. It came on the iPod while commuting to work this morning, and as always, blew me away. Talk about all around AWESOME fucking musicians. I swear. Tell me.......how many other tracks with a full-out DRUM SOLO *studio versions* can you think of? Seriously. Think about it for a while.
I'll wait...
MM-hm. School me.
So I still don't think I've fully digested Radiohead's new album. What I have noticed (and fellow friends/Radiohead enthusiasts agree) is that though beautiful, something is definitely lacking. Kind of like Thom Yorke's solo album. I've found myself needing a "chaser", if you will, of something more substantial. Kid A or The Bends have been likely suspects. Even the more sparse, ethereal tracks from Kid A quenched the thirst better than even the most lush sounding tracks off of In Rainbows. *sigh* Sometimes I wonder if I'm just not giving it enough of a chance. But then again, what does it really matter anyway. People like what they like, and I admit that once upon a time I stayed up nights arguing with and indie-ex of mine about which album was more monumental, Ok Computer or Kid A. I vote for Ok Computer. Is it the more commonly chosen album? Probably. But for all around density, track for track, I say Ok Computer takes the cake. The Bends following in a VERY close second.
Moving on, a friend of mine turned me onto this band, BATTLES a couple weeks ago. Granted, it's their newest album (Mirrored), and from what he said, it's different from their earlier works. They're mainly instrumental, with an awesome electronic edge, and VERY experimental. The type of music I've always heard in my head, and never knew actually existed, let alone having a label pretty much solely dedicated to. Warp Records. I believe they're based in the UK. Once I checked out the label, it made more sense. Boards of Canada, Squarepusher, Aphex Twin...Darren (my friend) is into a shitload of bands I've never even heard of. Makes me feel like a mainstream sheep. I hate that, don't you? Anyway, I've had their droning craziness dancing through my head for days now. Reminds me a bit of King Crimson, without Adrian Belew. Of the Talking Heads without as much structure.
So I've added a few more tracks to my fall '07 playlist. I originally had 6 additions, but upon listening to the mix a few times, I cut the last two out because they were too depressing and isolating. They were Ben Harper's "Welcome to the Cruel World" and Songs: Ohia's "Two Blue Lights". Not that this mix is supposed to be a total pick-me-up, but sheesh. Brought me out of the colorful fall leaves right into the cold hard ground of winter. Not quite ready for that yet.
Here are a few more:
6. Tangerine- Led Zeppelin, Zep III, 1970.
7. Oh Comely- Neutral Milk Hotel, In the Aeroplane Over the Sea, 1998.
8. Let Down- Radiohead, Ok Computer, 1997.
9. American Flag- Cat Power, Moon Pix, 1998.
I think it's coming along quite nicely.
That's all for now. The muse has left me. Take care.
I'll wait...
MM-hm. School me.
So I still don't think I've fully digested Radiohead's new album. What I have noticed (and fellow friends/Radiohead enthusiasts agree) is that though beautiful, something is definitely lacking. Kind of like Thom Yorke's solo album. I've found myself needing a "chaser", if you will, of something more substantial. Kid A or The Bends have been likely suspects. Even the more sparse, ethereal tracks from Kid A quenched the thirst better than even the most lush sounding tracks off of In Rainbows. *sigh* Sometimes I wonder if I'm just not giving it enough of a chance. But then again, what does it really matter anyway. People like what they like, and I admit that once upon a time I stayed up nights arguing with and indie-ex of mine about which album was more monumental, Ok Computer or Kid A. I vote for Ok Computer. Is it the more commonly chosen album? Probably. But for all around density, track for track, I say Ok Computer takes the cake. The Bends following in a VERY close second.
Moving on, a friend of mine turned me onto this band, BATTLES a couple weeks ago. Granted, it's their newest album (Mirrored), and from what he said, it's different from their earlier works. They're mainly instrumental, with an awesome electronic edge, and VERY experimental. The type of music I've always heard in my head, and never knew actually existed, let alone having a label pretty much solely dedicated to. Warp Records. I believe they're based in the UK. Once I checked out the label, it made more sense. Boards of Canada, Squarepusher, Aphex Twin...Darren (my friend) is into a shitload of bands I've never even heard of. Makes me feel like a mainstream sheep. I hate that, don't you? Anyway, I've had their droning craziness dancing through my head for days now. Reminds me a bit of King Crimson, without Adrian Belew. Of the Talking Heads without as much structure.
So I've added a few more tracks to my fall '07 playlist. I originally had 6 additions, but upon listening to the mix a few times, I cut the last two out because they were too depressing and isolating. They were Ben Harper's "Welcome to the Cruel World" and Songs: Ohia's "Two Blue Lights". Not that this mix is supposed to be a total pick-me-up, but sheesh. Brought me out of the colorful fall leaves right into the cold hard ground of winter. Not quite ready for that yet.
Here are a few more:
6. Tangerine- Led Zeppelin, Zep III, 1970.
7. Oh Comely- Neutral Milk Hotel, In the Aeroplane Over the Sea, 1998.
8. Let Down- Radiohead, Ok Computer, 1997.
9. American Flag- Cat Power, Moon Pix, 1998.
I think it's coming along quite nicely.
That's all for now. The muse has left me. Take care.
Monday, October 8, 2007
In Rainbows: The First Taste. Mmmmm......sweet.
There may be a hold on the addition to my fall playlist for the time being, kids. New musical obsession has been replaced.
I just got the new Radiohead album "In Rainbows" this morning!!! Thanks to NYLON magazine's constant bulletin postage on myspace, I found out about it the day after Johnny Greenwood officially announced the unofficial "leak". Now, of course, it's all over the place. The concept of this release is very forward thinking, very indie, and goddammit, it's fucking RADIOHEAD.
Check out a couple articles talking about their release concept:
Rolling Stone's "RockDaily" article
Yahoo Music
Now, I've only really listened through the album a couple times, but enough to develop a pretty strong attachment to the 3rd song from the tracklist, "Nude" right off the bat. This album in a whole at this point, is very mellow. Good driving music, but then again, I've only really listened to it while driving around today........ It's definitely not as frantic sounding as "Hail to the Thief". But then again, that album was a WHOLE hell of a lot more reactionary. Sounds like they took their time with this one. Thom's voice is as always, haunting to the point of slight suicidal tendencies while listening. The guitar work struck me as EXTREMELY eloquent as well. Can guitar work BE eloquent?? Anyway.
So I have this tendency to deconstruct music. Meaning pulling it apart into sections, and speculate as to where they got their inspiration. To try and liken them to other musicians, proving the fact that things like music, and words, are all connected. And I like trying to be the one to find those silvery strands. There are a few tracks I'll be touching with my deconstructivenessicity this evening.
NUDE (track 3): First of all, It's fucking beautiful. It's soft and sweet like......it makes me think of vanilla ice cream with caramel and chocolate swirls. It's got a mellow laid back swinging beat. The bass is round and blurry around the edges. The guitar truely floats right on top of the mix, clean and glistening. Listening to it right now, Thom's voice makes me feel so many different things I don't even know where to start. AH!! It's just perfect. Desperate and wise and frail....reverb and dryness at the right moments. There isn't a spot on this gem. Not that I can see or hear. Amazingly enough, I can't liken this to anything I've heard before. At least not yet. Maybe I'm too taken by it right now to bear the fragments.
Radiohead has this knack for making the best fucking chord changes. Sometimes you can predict exactly where they're going to go, and it makes you feel like you know them. They have some sort of archaic formula. And if you listen to enough of them, obssess over them enough, knowing that they're going to go somewhere and actually have it happen without pre-meditation brings some warm fuzzy sense of intimacy. It's like they gave you a hug or something! But sometimes they throw out a curve. They might hint at something when Thom will do a little wavering between half steps for a bar or two, then BAM! They go up a half step. Unexpected modulation. They're reminding us that we only know what they let us know....and they're always changing. Maybe it's about introducing the idea of a change at the perfect moment. Or maybe so subtly that we really only hear it on some subconscious level, and the reaction when the change actually happens is slightly surprising, but comforting at the same time. Oh, how I love my little Radiohead bubble.
ALL I NEED (track 5): Now, I automatically worry that I'm going to sound like a complete asshole with what I'm going to say next. But I'm going to say it anyway. This song reminds me of Boards of Canada. Specifically, the song "Roygbiv" off of the album "Music Has the Right to Children", released in 1998. Not TOO many similarities, but the ones that struck me from the beginning of the song is the overall feel of the song, the simple kind of heavy but bouncy groove, and the synth bass. The synth is a VERY prominent part of both of the songs. Perhaps a sign that even bands like Radiohead pull influences from contemporary musical innovators! Music will never die!!!!
Here is a video I found on YouTube, just to give you a taste of "Roygbiv":
If you listen to Boards of Canada, then maybe you know what I'm talking about? Or hey, even if you are interested in them, or you desire to prove I'm full of shit, check them out. Seriously. Do it.
FAUST ARP (track 6): Ok. So at first, I was trying to build up some great argument as to why this song was so very much Led Zeppelin. With the Jimmy Page-esque perfection of the finger picking, to the synthy strings, and even the way Thom sings the chorus. Very sad heartbroken Rober Plant. I listened a few times, then I smacked myself in the head and realized that the guitar is at the same time veryPink Floyd. "A Pillow of Winds"-ish, perhaps? A more common drawing in similarities, I know. I kind of disappointed myself with that one, actually. Oh well.
And so, in searching for a Zeppelin song or two that I can make that satistfying connection I adore making, I stumbled upon the blue flower that is Zep III. I've lost my train of thought. They've pulled me out of the present into the past, and I feel comfortable here for now. So I bid you adue. Apologies "to all my faithful readers" (hahahahahahaha) for not even touching on one thing I mentioned I would. A lesson learned. Don't predict what will move me to write.
Hope it was enjoyable all the same. Till next time.....
I just got the new Radiohead album "In Rainbows" this morning!!! Thanks to NYLON magazine's constant bulletin postage on myspace, I found out about it the day after Johnny Greenwood officially announced the unofficial "leak". Now, of course, it's all over the place. The concept of this release is very forward thinking, very indie, and goddammit, it's fucking RADIOHEAD.
Check out a couple articles talking about their release concept:
Rolling Stone's "RockDaily" article
Yahoo Music
Now, I've only really listened through the album a couple times, but enough to develop a pretty strong attachment to the 3rd song from the tracklist, "Nude" right off the bat. This album in a whole at this point, is very mellow. Good driving music, but then again, I've only really listened to it while driving around today........ It's definitely not as frantic sounding as "Hail to the Thief". But then again, that album was a WHOLE hell of a lot more reactionary. Sounds like they took their time with this one. Thom's voice is as always, haunting to the point of slight suicidal tendencies while listening. The guitar work struck me as EXTREMELY eloquent as well. Can guitar work BE eloquent?? Anyway.
So I have this tendency to deconstruct music. Meaning pulling it apart into sections, and speculate as to where they got their inspiration. To try and liken them to other musicians, proving the fact that things like music, and words, are all connected. And I like trying to be the one to find those silvery strands. There are a few tracks I'll be touching with my deconstructivenessicity this evening.
NUDE (track 3): First of all, It's fucking beautiful. It's soft and sweet like......it makes me think of vanilla ice cream with caramel and chocolate swirls. It's got a mellow laid back swinging beat. The bass is round and blurry around the edges. The guitar truely floats right on top of the mix, clean and glistening. Listening to it right now, Thom's voice makes me feel so many different things I don't even know where to start. AH!! It's just perfect. Desperate and wise and frail....reverb and dryness at the right moments. There isn't a spot on this gem. Not that I can see or hear. Amazingly enough, I can't liken this to anything I've heard before. At least not yet. Maybe I'm too taken by it right now to bear the fragments.
Radiohead has this knack for making the best fucking chord changes. Sometimes you can predict exactly where they're going to go, and it makes you feel like you know them. They have some sort of archaic formula. And if you listen to enough of them, obssess over them enough, knowing that they're going to go somewhere and actually have it happen without pre-meditation brings some warm fuzzy sense of intimacy. It's like they gave you a hug or something! But sometimes they throw out a curve. They might hint at something when Thom will do a little wavering between half steps for a bar or two, then BAM! They go up a half step. Unexpected modulation. They're reminding us that we only know what they let us know....and they're always changing. Maybe it's about introducing the idea of a change at the perfect moment. Or maybe so subtly that we really only hear it on some subconscious level, and the reaction when the change actually happens is slightly surprising, but comforting at the same time. Oh, how I love my little Radiohead bubble.
ALL I NEED (track 5): Now, I automatically worry that I'm going to sound like a complete asshole with what I'm going to say next. But I'm going to say it anyway. This song reminds me of Boards of Canada. Specifically, the song "Roygbiv" off of the album "Music Has the Right to Children", released in 1998. Not TOO many similarities, but the ones that struck me from the beginning of the song is the overall feel of the song, the simple kind of heavy but bouncy groove, and the synth bass. The synth is a VERY prominent part of both of the songs. Perhaps a sign that even bands like Radiohead pull influences from contemporary musical innovators! Music will never die!!!!
Here is a video I found on YouTube, just to give you a taste of "Roygbiv":
If you listen to Boards of Canada, then maybe you know what I'm talking about? Or hey, even if you are interested in them, or you desire to prove I'm full of shit, check them out. Seriously. Do it.
FAUST ARP (track 6): Ok. So at first, I was trying to build up some great argument as to why this song was so very much Led Zeppelin. With the Jimmy Page-esque perfection of the finger picking, to the synthy strings, and even the way Thom sings the chorus. Very sad heartbroken Rober Plant. I listened a few times, then I smacked myself in the head and realized that the guitar is at the same time veryPink Floyd. "A Pillow of Winds"-ish, perhaps? A more common drawing in similarities, I know. I kind of disappointed myself with that one, actually. Oh well.
And so, in searching for a Zeppelin song or two that I can make that satistfying connection I adore making, I stumbled upon the blue flower that is Zep III. I've lost my train of thought. They've pulled me out of the present into the past, and I feel comfortable here for now. So I bid you adue. Apologies "to all my faithful readers" (hahahahahahaha) for not even touching on one thing I mentioned I would. A lesson learned. Don't predict what will move me to write.
Hope it was enjoyable all the same. Till next time.....
Sunday, October 7, 2007
inspiration is a wiley thing, indeed
**Warning: This will most likely be a very long post**
Hello, and welcome to my blog. My good friend inspired me to do this. Indirectly. She was talking to me earlier this evening about a musical blog she read, listing his personal "If autumn had a sound" play list. What a cute idea. His selections? NOT so cute. Granted, I have a soft spot in my heart for the Gin Blossoms, but only because they covered a KISS song. And don't even get me started on Hootie and the fucking Blowfish. Talk about BLOWING. Anyhow....I guess the first thing I should admit in this, my very first official blog, is that I'm a judgmental prick. And if this guy somehow happens onto this blog, which I highly doubt, I won't apologize for my pretentious comments, because they're just my big-mouthed opinion, and I have the joy of being able to hide within the darkness of the intarweb. He can just blog about it in response. What a wonderful world of passive-aggressiveness we live in these days. I believe Steven Colbert talked about it on one of his shows recently.......Ah. Here it is.
Steven Colbert's "The Word: SOLITARITY"
Not saying that I'm not one of the masses. I mean...LOOK! But alas, I digress. I tend to do that. A LOT. And, in conclusion to my previous tangent, really, I LIKE KISS. Yes, the band. And if that causes a tsunami-like mass of "what a fucking hypocrite!" blogs, or even just one, then I have made my point, indeed.
NOW. Onto the real topic at hand: Music. Le Musique. First off, just to get an idea about what sort of things I'm into, take a peek at my last.fm page. Looks like I spent a lot of time on that, eh? Not really. Luckily, it reached right into my iTunes and set everything up for me. I love easy nerdy shit like that.
Recently, as the season changes, well.......as much as it can in the bay area, which has some of the most schizophrenic weather I've ever EVER experienced, I've found myself hiding out. Bumming out. Watching the leaves change from my window, wanting to take a walk around Lake Merritt but cuddling underneath my bear pelt of a blanket instead. Depression has set in like a bad cold, and it won't go away. Yargh. For the last couple months, I've been totally obsessing about dreamy electronica. I saw the term "emotronic" just this evening, and I'm trying to figure out how to add that to my snobby musical term repertoire. Groups that I've been listening to lately:
Note: As soon as I learn how to embed MP3s, hopefully I'll be able to put up a song of each band/artist/group I talk about. Until then, there are a plethora of sites (myspace, last.fm, etc.) that one can easily locate these groups on, and make judgments as they see fit.
Lamb: More known for their DNB (that's drum and bass to you, NOOB) roots, I've found myself emo-ing out to their lush soundscapes, Lou's very throaty and at times VERY Tori-esque vocal stylings, and their obvious jazz influences, which I dig.
Telefon Tel Aviv: Perhaps these guys can be put underneath the emotronic umbrella? Anyhow, upon discovering these guys, I found myself happily whisked back to the early 90's, when I was prancing around in my room to bad R&B. Not saying that they are bad, OR that they're really R&B, per say, but that they make me feel young....and even a bit naive. I like that. These guys are hands down some of the best programmers I've ever heard. Not many people can take a bunch of random clicks and beeps, mix them up, and create a MASSIVE laid-back, and once again, lush groove to escape into. They mainly have a male vocalist, very reminiscent of white-guy-trying-to-sing-like-Tevin-Campbell, and also guest some mediocre but etheral female vocalists throughout their tracks, but it works. It truely does.
Portishead: One word: Dummy. Actually, it's an album, not an insult. But if you have any taste for trip-hop (think Massive Attack, but with a Tori-like vocalist), get this album. Seriously. This group also has a decent amount of jazz influence, which, in my opinion, makes them walk the fine line between tasteful and cheesy, but for the most part, they're very easy on the ears.
Yppah: (To be honest, I don't know much about this guy. Another good friend of mine turned me onto him, along with Lamb and Telefon Tel Aviv. This chick is what I like to call MITY, or More Indie Than You. She's the indiest girl I've ever met. ) Labeled "indietronica" (yet ANOTHER snobby musical term), probably because he has not as of yet broken into the mainstream. Maybe he'll stay that way, and just be a well known secret among the indietronica freaks worldwide. I feel like one of the few and proud, for now. What I do know is that this guy is a guitarist-turned-programmer, which is cool in my book. His LP "You Are Beautiful At All Times", is well put together, and totally instrumental, save a few tasty vocal samples sprinkled throughout. His tracks are generally pretty short, which is good if you aren't in the mood to wait, but not so good if you're left wanting more. He's got a good sense of space, and his guitar is tasteful, adds a great sense of dynamic, and fills in the gaps quite nicely.
Whew! That was a lot more work than I thought it would be.
So, in closing (because I'm starting to get bored), and to pull this rambling bullshit full circle, I was inspired to create my own personal fall playlist to be appreciated and scoffed at. Here are the first 5 tracks:
1. Hummingbird - Wilco (A Ghost is Born, 2005)
2. So Many Ways - Mates of State (Bring it Back, 2006)
3. Dramamine - Modest Mouse (This is a Long Drive for Someone with Nothing to Think About, 1996)
4. Too Late - The Like (Are You Thinking What I'm Thinking?, 2005)
5. I Just Don't Know What to do With Myself - The White Stripes version (Elephant, 2003)
Once again, I hope to learn how to embed music soon so that you don't have to go searching for these tracks if you're at all interested. Otherwise, feel free to contact me with any questions/comments/smack talking.
Coming up next blog: A few more tracks to add to my fall playlist. Dreamy electronica is on it's way out on my iPod. My most recent musical obsession- experimental progressive instrumental. Wild shit. Hope you enjoyed. :)
Hello, and welcome to my blog. My good friend inspired me to do this. Indirectly. She was talking to me earlier this evening about a musical blog she read, listing his personal "If autumn had a sound" play list. What a cute idea. His selections? NOT so cute. Granted, I have a soft spot in my heart for the Gin Blossoms, but only because they covered a KISS song. And don't even get me started on Hootie and the fucking Blowfish. Talk about BLOWING. Anyhow....I guess the first thing I should admit in this, my very first official blog, is that I'm a judgmental prick. And if this guy somehow happens onto this blog, which I highly doubt, I won't apologize for my pretentious comments, because they're just my big-mouthed opinion, and I have the joy of being able to hide within the darkness of the intarweb. He can just blog about it in response. What a wonderful world of passive-aggressiveness we live in these days. I believe Steven Colbert talked about it on one of his shows recently.......Ah. Here it is.
Steven Colbert's "The Word: SOLITARITY"
Not saying that I'm not one of the masses. I mean...LOOK! But alas, I digress. I tend to do that. A LOT. And, in conclusion to my previous tangent, really, I LIKE KISS. Yes, the band. And if that causes a tsunami-like mass of "what a fucking hypocrite!" blogs, or even just one, then I have made my point, indeed.
NOW. Onto the real topic at hand: Music. Le Musique. First off, just to get an idea about what sort of things I'm into, take a peek at my last.fm page. Looks like I spent a lot of time on that, eh? Not really. Luckily, it reached right into my iTunes and set everything up for me. I love easy nerdy shit like that.
Recently, as the season changes, well.......as much as it can in the bay area, which has some of the most schizophrenic weather I've ever EVER experienced, I've found myself hiding out. Bumming out. Watching the leaves change from my window, wanting to take a walk around Lake Merritt but cuddling underneath my bear pelt of a blanket instead. Depression has set in like a bad cold, and it won't go away. Yargh. For the last couple months, I've been totally obsessing about dreamy electronica. I saw the term "emotronic" just this evening, and I'm trying to figure out how to add that to my snobby musical term repertoire. Groups that I've been listening to lately:
Note: As soon as I learn how to embed MP3s, hopefully I'll be able to put up a song of each band/artist/group I talk about. Until then, there are a plethora of sites (myspace, last.fm, etc.) that one can easily locate these groups on, and make judgments as they see fit.
Lamb: More known for their DNB (that's drum and bass to you, NOOB) roots, I've found myself emo-ing out to their lush soundscapes, Lou's very throaty and at times VERY Tori-esque vocal stylings, and their obvious jazz influences, which I dig.
Telefon Tel Aviv: Perhaps these guys can be put underneath the emotronic umbrella? Anyhow, upon discovering these guys, I found myself happily whisked back to the early 90's, when I was prancing around in my room to bad R&B. Not saying that they are bad, OR that they're really R&B, per say, but that they make me feel young....and even a bit naive. I like that. These guys are hands down some of the best programmers I've ever heard. Not many people can take a bunch of random clicks and beeps, mix them up, and create a MASSIVE laid-back, and once again, lush groove to escape into. They mainly have a male vocalist, very reminiscent of white-guy-trying-to-sing-like-Tevin-Campbell, and also guest some mediocre but etheral female vocalists throughout their tracks, but it works. It truely does.
Portishead: One word: Dummy. Actually, it's an album, not an insult. But if you have any taste for trip-hop (think Massive Attack, but with a Tori-like vocalist), get this album. Seriously. This group also has a decent amount of jazz influence, which, in my opinion, makes them walk the fine line between tasteful and cheesy, but for the most part, they're very easy on the ears.
Yppah: (To be honest, I don't know much about this guy. Another good friend of mine turned me onto him, along with Lamb and Telefon Tel Aviv. This chick is what I like to call MITY, or More Indie Than You. She's the indiest girl I've ever met. ) Labeled "indietronica" (yet ANOTHER snobby musical term), probably because he has not as of yet broken into the mainstream. Maybe he'll stay that way, and just be a well known secret among the indietronica freaks worldwide. I feel like one of the few and proud, for now. What I do know is that this guy is a guitarist-turned-programmer, which is cool in my book. His LP "You Are Beautiful At All Times", is well put together, and totally instrumental, save a few tasty vocal samples sprinkled throughout. His tracks are generally pretty short, which is good if you aren't in the mood to wait, but not so good if you're left wanting more. He's got a good sense of space, and his guitar is tasteful, adds a great sense of dynamic, and fills in the gaps quite nicely.
Whew! That was a lot more work than I thought it would be.
So, in closing (because I'm starting to get bored), and to pull this rambling bullshit full circle, I was inspired to create my own personal fall playlist to be appreciated and scoffed at. Here are the first 5 tracks:
1. Hummingbird - Wilco (A Ghost is Born, 2005)
2. So Many Ways - Mates of State (Bring it Back, 2006)
3. Dramamine - Modest Mouse (This is a Long Drive for Someone with Nothing to Think About, 1996)
4. Too Late - The Like (Are You Thinking What I'm Thinking?, 2005)
5. I Just Don't Know What to do With Myself - The White Stripes version (Elephant, 2003)
Once again, I hope to learn how to embed music soon so that you don't have to go searching for these tracks if you're at all interested. Otherwise, feel free to contact me with any questions/comments/smack talking.
Coming up next blog: A few more tracks to add to my fall playlist. Dreamy electronica is on it's way out on my iPod. My most recent musical obsession- experimental progressive instrumental. Wild shit. Hope you enjoyed. :)
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